Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | The virgin mary | St Michael and the Satan | Self-Portrait | The Meeting between Leo the Great and Attila | St Sebastian |
Related Artists:
BELLANGE, Jacques
French Painter, ca.1575-1616 Jacques Bellange (c. 1575, place unknown - 1616) was an artist and printmaker from Lorraine, now in France, whose etchings and some drawings are his only securely identified works today. They are among the most striking Mannerist old master prints. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht D?rer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement.
James Barry
b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery was born on 9th November at Captain Lieutenant Bouchiers quarters at the Old Train Barrack Yard in Ann Street, Belfast, Co. Antrim in the north of Ireland. Although Barry lived his adult life as a man, his true gender is unknown. It is widely accepted that Barry was a woman who chose to live as a man so that he might be accepted as a university student and be able to pursue his chosen career as a surgeon.
Henri Delavallee
French, 1862-1943